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Alloway, Lawrence ; Banham, Reyner ; Barry, Judith ; Castelli, Leo ; Coplans, John ; Finkelpearl, Tom ; Frampton, Kenneth ; Halle, Howard ; Hamilton, Richard ; Hebdige, Dick ; Heiss, Alanna ; Johnson, Betsey ; Lawson, Thomas ; Leffingwell, Edward ; Lichtenstein, Roy ; Oldenburg, Claes ; Phillips, Patricia ; Smithson, Alison and Peter ; Tsai, Eugenie ; Wallis, Brian ; Wess, Glenn ; Whitham, Graham
environmental art --- Postmodern --- Independent Group --- Pop [fine arts styles] --- collages [visual works] --- posters --- Modernist --- Catleugh, J.D.H. --- Voelcker,John --- Halley, Peter --- Wesselmann, Tom --- Ballard, James Graham --- Williams, Denis --- Hamilton, Richard --- Dine, Jim --- Herron, Ron --- Gilbert and George --- Scott Brown, Denise --- Matthews, Richard --- Lemieux, Annette --- Brodsky, Alexander --- Mullican, Matt --- Wright, Edward --- Ozenfant, Amédée --- Martin, Kenneth --- Pine, Michael --- Coplans, John --- Lawson, Thomas --- Smithson, Alison & Peter --- Utkin, Ilya --- Steinbach, Haim --- Johnson, Betsey --- Graham, Dan --- Smithson, Robert --- Heath, Adrian --- Gropius, Walter --- Dwyer, Nancy --- Domergue, Faith --- Newby, Frank --- Ernest, John --- Henderson, Nigel --- Nagy, Peter --- Hockney, David --- Clegg, Michael --- Belcher, Alan --- Hill, Anthony --- Scanavino, Emilio --- Paolozzi, Eduardo --- Facetti, Germano --- SITE --- St. John Wilson, Colin --- Kawasaki, Frank --- Lannoy, Richard --- Rosenquist, James --- Chalk, Warren --- Guttmann, Martin --- Thornton, Leslie --- Crosby, Theo --- del Renzio, Toni --- Adams, Dennis --- Bruggen, van, Coosje --- Turnbull, William --- Martin, Mary --- Magnuson, Ann --- Mapplethorpe, Robert --- Namuth, Hans --- Jackson, Anthony --- Dion, Mark --- Morris, William --- Clark, Gerod --- Pasmore, Victor --- Reason, Rex --- Warhol, Andy --- Ruscha, Ed --- Oldenburg, Claes --- Hull, James --- Wodiczko, Krysztof --- Froshaug, Andrew --- Robbins, David --- Jackson, Sarah --- Barry, Judith --- Graves, Michael --- Cordell, Magda --- Alloway, Lawrence --- Adams, Robert --- Cook, Peter --- Vaisman, Meyer --- McHale, John --- Bolande, Jennifer --- Diamond, Jessica --- Weeks, John --- Goldsmith, Nicholas --- Archigram --- Venturi & Rauch --- Haus-Rucker-Co --- Ant Farm --- Kunst algemeen 20ste eeuw Pop-Art en invloeden --- Kunstgeschiedenis 1950 - 2000 --- Pop art. --- Corbusier, le --- Arts and society --- Pop art --- Popular culture --- (069) --- 7.038 --- Kunst algemeen ; 20ste eeuw ; Pop-Art ; en invloeden --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- History --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 --- design [discipline] --- architecture [discipline] --- Applied arts. Arts and crafts --- Iconography --- Art styles --- Architecture --- painting [image-making] --- Graphic arts --- Art --- Painting --- women [female humans] --- art history --- Bickerton, Ashley --- Johns, Jasper --- Man Ray --- Brown, Scott --- Kruger, Barbara --- Holzer, Jenny --- Sherman, Cindy --- Baldessari, John --- Michals, Duane --- Gehry, Frank --- Rauschenberg, Robert --- Artschwager, Richard --- Hadid, Zaha --- Stirling, James --- Venturi, Robert --- Duchamp, Marcel --- Salle, David --- Tschumi, Bernard --- Moore, Henry --- Dubuffet, Jean --- Levine, Sherrie --- Prince, Richard --- Lichtenstein, Roy --- Koolhaas, Rem --- Schwitters, Kurt --- Koons, Jeff --- SOM-Coop Himmelblau --- anno 1900-1999 --- anno 1960-1969 --- anno 2000-2099 --- anno 1950-1959 --- United States --- Great Britain --- Popular culture. --- SITE [New York, N.Y.] --- Ballard, J.G. --- Renzio, del, Toni --- kunst en media --- United States of America --- Wodiczko, Krzysztof
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What makes Andy Warhol tick ? What attraction did he hold for such Pop Luminaries as Edie Sedgwick, Candy Darling, Ingrid Superstar, and Pope Ondine ? Art historian Patrick Smith examines this elusive artist's work, his studio practices, and the mystique that has surrounded him and provides a fresh look at this ingamous Pop artist, who seems to delight in creating and passing along myths concerning his life and work. Based on extensive reseach and interviews with the "people who were there". as well as with Warhol himself, Andy Warhol's Art and Films contains new information about warhol and his work, and exposes some commonly-held misconceptions. Through a comprehensive analysis of Warhol's commercial work of the 1950s, Smith shows that Warhol used pop imagery much before his acclaimed "Pop" phase, and that his use of both paid and unpaid assistants began during the same time. Smith uses Warhol's obsession with stardom and fame as the basis for an examination of the Warhol Films, showing that the artist's fascination with glamour, even "seedy glamour", created an atmosphere where anyone could be a superstar : a transvestite, a poet, a debutante. Smith looks at this "desert of destroyed egos" and offers a penetrating portrait of Warhol, his work, his motives, and the frenetic aura that surrounded the "Factory"
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Aesthetics of art --- Art --- art [discipline] --- art criticism --- anno 1900-1999 --- anno 2000-2099
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Krueger, Peter --- Köln --- New York
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